” As a stunt guy, you become a mini-director. You’re talking to actors about performance. “


” The way you present a stunt is tied in to the way you photograph it, so you’re hanging out with the cinematographer. “


” You learn tricks to make action look more dynamic – having the fight come toward you or shooting on a longer lens to compress the speed. “


” Film is a collaborative art form. I don’t know why you wouldn’t recognize the stunt performers. “


” Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film. “


” If you have John Goodman in your movie, you want to use him as much as possible. “


” If you’re trying to get to the underworld of Berlin, it’s not suits and ties, it’s rock and roll. “


” Great actors can transform, but sometimes there’s just this person who speaks right to the role. When they walk in the room, you know they’re that character. That is something you can’t teach an actor, that’s something that’s luck and chance. “


” Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it’s not half-baked. “


” You have to make bold choices to be noticed. “


” The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you’re exposed to all the disciplines, so it’s always fun to combine the two ideas – a car chase and a fight scene – and make something more dynamic. “


” Every movie you attack has its challenges, and I was excited about the challenges presented by ‘Deadpool.’ I was a huge fan of the original, and I think, as a director, you have to put the script first. “


” Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You’re working with a partner in choreography. You’re working on timing. “


” Even when you’re being safe, eight hours of choreography makes you look like you’ve been through a war. It’s hard. It’s like playing hockey for eight hours. “


” Choreographing a fight scene is telling a little story. You learn a lot about the characters involved. “



All 15 David Leitch Quotes about You in picture


As a stunt guy, you become a mini-director. You
The way you present a stunt is tied in to the way you photograph it, so you
You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed.
Film is a collaborative art form. I don
Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film.
If you have John Goodman in your movie, you want to use him as much as possible.
If you
Great actors can transform, but sometimes there
Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it
You have to make bold choices to be noticed.
The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you
Every movie you attack has its challenges, and I was excited about the challenges presented by
Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You
Even when you
Choreographing a fight scene is telling a little story. You learn a lot about the characters involved.

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